Disco recovers artist’s voice from 1960s recording and features interpreters such as Dori Caymmi, João Bosco, Joyce Moreno, Mônica Salmaso, and Ney Matogrosso. A remarkable find of seven previously unreleased songs by the Rio de Janeiro composer Wilson Baptista (July 3, 1913 – July 7, 1968) has been unveiled by Rodrigo Alzugir, a researcher, musician, and producer from Rio de Janeiro who is also the artist’s biographer. Baptista, who would have turned 110 this year, passed away 55 years ago.
This extraordinary discovery sheds light on the musical legacy of Wilson Baptista, an influential figure in Brazilian music whose work has captivated audiences for decades. The recovered recording contains not only the artist’s distinctive voice but also showcases his songwriting prowess with these seven unheard compositions.
The album features a stellar lineup of renowned interpreters who bring Baptista’s songs to life. Dori Caymmi, João Bosco, Joyce Moreno, Mônica Salmaso, and Ney Matogrosso are just a few of the talented artists lending their voices to this project. Their interpretations lend a fresh and contemporary touch to the vintage recordings, breathing new life into the songs while paying homage to Baptista’s artistic vision.
Among the gems found in this collection of previously unreleased tracks are “Boato de felicidade” (Rumor of Happiness), “Calúnia” (Slander), “Fui olhar nos teus olhos” (I Looked into Your Eyes), “Minha infância” (My Childhood), “O bom é ele” (He is the Best), and “São Paulo antigo” (Old São Paulo). Each composition offers a glimpse into Baptista’s creative genius and serves as a testament to his contribution to Brazilian music.
Rodrigo Alzugir’s dedication to preserving and celebrating the legacy of Wilson Baptista is evident in his meticulous research and passion for the subject. As a biographer, musician, and producer, Alzugir brings a wealth of knowledge and expertise to this project, ensuring that Baptista’s voice and music reach a new generation of listeners.
The release of these previously unheard songs is not only a cause for celebration among fans of Brazilian music but also an opportunity to delve deeper into the rich tapestry of Wilson Baptista’s artistic journey. This album represents a bridge between the past and the present, connecting us to a bygone era while reminding us of the enduring power of music to transcend time.
In conclusion, Rodrigo Alzugir’s discovery of seven unreleased songs by Wilson Baptista marks a significant milestone in the appreciation of Brazilian music history. With the participation of esteemed interpreters, this album promises to be a compelling tribute to the timeless talent of a musical legend.
