In its Edinburgh debut, the Gilded Balloon theater presents Henry Naylor’s latest play, a well-intentioned drama that delves into the tragic deaths occurring within care homes. However, amidst its noble intentions, the production succumbs to an overwhelming cloud of anger, which hampers its ability to exercise sound judgment.
Set in Hyde, Manchester during the 1990s, the narrative centers around Frank and Georgie, whose 78-year-old mother tragically passed away under the care of local GP Harold Shipman. As Frank, her dedicated live-in carer, questions begin to arise regarding his potential culpability in surrendering her to the infamous “Dr. Death.” Transporting us over two decades into the future, we encounter Frank as a diminished figure, rendered mute and motionless within the confines of a hospice in Hyde. Here, he finds himself under the supervision of Justine, a caregiver who lacks the tenderness befitting her role.
Henry Naylor’s theatrical piece, featuring a dynamic duo comprising of Emily Carding alongside the playwright himself, skillfully traverses both time periods, artfully intertwining the narratives of Frank and Justine. Through their experiences, the playwright seeks to shed light on the harrowing consequences arising from the neglect and mistreatment prevalent within care homes.
While Naylor’s intention to explore such weighty themes is commendable, the execution falls prey to an overpowering surge of indignation. The play’s fervent anger often eclipses its potential for nuanced storytelling. Instead of allowing the characters’ motivations and dilemmas to unfold organically, the narrative becomes mired in a heavy-handed portrayal of outrage, potentially alienating audiences seeking a more balanced perspective.
Despite these shortcomings, the production does manage to provoke thought and introspection. By examining the circumstances surrounding Frank’s mother’s demise and its impact on his life, the play tackles important questions about responsibility, trust, and the consequences of our choices. Moreover, the juxtaposition of Frank’s story alongside Justine’s provides a broader exploration of the systemic issues plaguing care homes, offering audiences a glimpse into the complex web of factors contributing to these tragedies.
In conclusion, Henry Naylor’s latest work grapples with the grave subject matter of deaths within care homes, shedding light on the personal and societal repercussions that arise from such tragedies. While the play’s well-intentioned approach is evident, its execution often allows anger to overshadow the potential for nuanced storytelling. Nevertheless, the production offers a valuable opportunity for reflection and dialogue concerning the responsibilities we bear in caring for our loved ones and the need for systemic change within the healthcare system.
