Martin Scorsese’s 1980s Gem: “After Hours” Review Unveils Peculiar Potency

Griffin Dunne and Rosanna Arquette’s peculiar evening filled with absurdity and happenstance unveils a narrative where oddity and tension cast long shadows, culminating in a bewildering punchline. Martin Scorsese’s 1985 darkly comedic noir masterpiece enjoys a fresh revival in cinemas. During its initial release and even now, the film emerges as an unconventional Scorsese creation, diverging from his signature style—a project that seemed less auteurist, more mainstream, one he embraced from producer-star Griffin Dunne as work on “The Last Temptation of Christ” faced a temporary impasse.

While possibly viewing it as a mere cinematic diversion, time has bestowed layers of intrigue upon “After Hours.” The overtly comedic and farcical elements have subsided, revealing a deeper complexity beneath the surface. As the plot unfolds, viewers are drawn into a surreal labyrinth where every twist and turn is fraught with uncertainty and offbeat humor. The film orchestrates a dance between reality and absurdity, blurring the lines between the two with finesse.

Scorsese’s directorial finesse shines through in this gem as he navigates the audience through a whirlwind night that defies conventional storytelling. The characters, played by Dunne and Arquette, traverse a nightmarish urban landscape where logic takes a backseat to chaos, and every encounter becomes a stepping stone to further bewilderment. The film’s narrative arc evolves into a rollercoaster ride of mishaps, misunderstandings, and serendipitous encounters, mirroring the unpredictability of life itself.

What may have initially appeared as a detour in Scorsese’s illustrious career now stands as a testament to his versatility and storytelling prowess. “After Hours” transcends its genre, morphing into a cinematic experience that lingers in the mind long after the credits roll. It invites viewers to ponder the enigmatic nature of human existence, the capriciousness of fate, and the thin line that separates sanity from madness.

As the film resurfaces in theaters, audiences are presented with a rare opportunity to revisit this cinematic gem through a contemporary lens. Its themes of alienation, paranoia, and the absurdity of modern life resonate profoundly in today’s world, offering a poignant reflection on the human condition. “After Hours” stands as a timeless classic—a masterful blend of dark comedy, existential dread, and sheer cinematic brilliance that continues to captivate and mystify audiences across generations.

Joseph Mitchell

Joseph Mitchell