Edinburgh’s Summerhall venue is currently hosting the thought-provoking play “Roundabout,” written by Eve Leigh. This production explores the unsettling aftermath of racist attacks that have plagued a local town. In an unexpected twist, a young couple named Anna and Eireni decide to take matters into their own hands by attempting to engage with the perpetrators.
The play delves into the realm of far-right ideologies and the lengths to which these individuals will go to preserve their beliefs. Understandably, any organizers of a far-right festival would be vigilant about scrutinizing their guest list. Anna and Eireni, with their recently blossomed love affair and inclusive leftist politics, would definitely raise suspicions upon first glance. However, it is not their unconventional relationship or political leanings that would ultimately expose them as potential infiltrators; it is their genuineness and wholesomeness that would give them away.
Under the direction of Debbie Hannan, the production takes audiences on a journey through the complexities of human nature and the motivations behind acts of bigotry. Anna and Eireni, driven by a desire to understand the minds of those perpetrating these racist attacks, embark on a daring mission of engagement. Through their interactions with the culprits, the play seeks to shed light on the factors that contribute to the rise of extremist ideologies.
Leigh’s script masterfully weaves together themes of love, tolerance, and empathy, all set against the backdrop of a divided community. As Anna and Eireni navigate this hostile environment, they confront their own biases and preconceptions, challenging the audience to do the same. The power of “Roundabout” lies in its ability to provoke introspection and encourage dialogue about the complex issues of race, identity, and extremism that continue to divide societies.
Hannan’s direction brings out the raw emotions of the characters, immersing the audience in their struggles and dilemmas. The play’s intimate setting allows for a visceral experience, with the audience almost becoming part of the story. This immersive approach heightens the impact of the narrative, evoking a range of emotions from discomfort to empathy.
“Roundabout” serves as a timely reminder of the importance of confronting racism and prejudice head-on. By delving into the minds of the perpetrators, the play challenges our assumptions and encourages us to seek understanding rather than resorting to condemnation. It is a brave exploration of the complexities surrounding hatred and extremism, urging us to confront these issues within ourselves and society at large.
Leigh’s thought-provoking script, coupled with Hannan’s skillful direction, makes “Roundabout” a must-see production that pushes boundaries and sparks conversations. As audiences leave the theatre, they are bound to carry with them a renewed sense of urgency in tackling racism and fostering inclusivity in their own communities.
In a world where bigotry continues to rear its ugly head, “Roundabout” serves as a poignant reminder that genuine engagement and empathy can be powerful tools in combating hatred and creating a more harmonious society.
