♪ OPINION – Zélia Duncan stands among the nominees for the 65th edition of the Jabuti Award, a prestigious accolade in the Brazilian literary scene. The artist is a semifinalist in the Chronicle category for her debut book, “Benditas coisas que eu não sei – Músicas, memórias, nostalgias felizes” (2022), released in June of last year. This nomination may seem unexpected for those familiar only with Zélia Duncan’s music and singing, but the truth is that it is well-deserved. Zélia captivates readers with her words throughout the 30 chapters of this delightful book. Though primarily known as a songwriter…
Without confining herself to the constraints of song lyrics, Zélia ventures into the realm of prose, demonstrating her skill in crafting captivating narratives. In “Benditas coisas que eu não sei,” she artfully weaves together music, memories, and blissful nostalgia, inviting readers on an intimate journey through her life experiences.
The book unfolds like a collection of heartfelt chronicles, each chapter representing a distinct yet interconnected tale. Zélia’s storytelling prowess shines as she delves into personal anecdotes, portraying vivid scenes and emotions with remarkable clarity. Her lyrical sensibility transcends musical composition, enveloping readers in a tapestry of evocative imagery and lyrical beauty.
Zélia Duncan’s ability to engage readers lies not only in her introspective musings but also in her relatability. Despite her fame and success, she remains down-to-earth, connecting with audiences on a profound level. Her words resonate with authenticity, making her stories feel like conversations with a trusted friend, softly whispered secrets shared under the cover of night.
Within the book’s pages, Zélia explores themes of love, loss, and self-discovery. She bares her soul, exposing vulnerabilities and celebrating triumphs, all the while infusing her prose with the same poetic essence that defines her songs. Her writing exudes a profound sense of humanity and compassion, touching upon universal experiences that resonate deeply with readers from all walks of life.
Zélia’s undeniable talent as a songwriter seeps into her writing, as she effortlessly combines storytelling with melodic rhythms. Her words dance on the page, evoking a symphony of emotions within the reader’s mind. Each chapter is a harmonious composition, carefully orchestrated to elicit both contemplation and delight.
As a semifinalist for the Jabuti Award in the Chronicle category, Zélia Duncan proves herself a versatile artist, transcending the boundaries of music to captivate audiences through the written word. “Benditas coisas que eu não sei” stands as a testament to her creative prowess and literary finesse, solidifying her position as a multifaceted artist deserving of recognition.
In conclusion, Zélia Duncan’s inclusion among the nominees for the 65th edition of the Jabuti Award is well-earned. Through her debut book, she showcases her ability to enchant readers with her lyrical prose, captivating storytelling, and profound insights. Zélia’s journey from musician to writer has proven to be an artistic evolution worth celebrating, and her presence in the literary world is a welcomed addition.
