Review: Grand Old Opera House Hotel at Traverse, Edinburgh—A Promising Concept Almost Wasted

Isobel McArthur’s latest production boasts a captivating concept, yet regrettably suffers from an excessive buildup, delaying the arrival of its most enticing elements. The show in question, whose potential is undeniable, presents an intriguing premise that holds promise for an enthralling experience. However, viewers are left yearning for a more expedited progression, as it meanders through a prolonged introduction, preventing the narrative from reaching its full potential.

McArthur’s craftsmanship shines through the core idea of the production, displaying her creative prowess and ability to conceive compelling storylines. The initial spark of intrigue ignites curiosity among the audience, tantalizing them with the prospect of a truly remarkable performance. Unfortunately, this anticipation is met with frustration as the show lingers on a slow-paced journey towards its climactic moments.

While pacing is undoubtedly crucial for building tension and enhancing the dramatic impact of any theatrical endeavor, there exists a fine balance between a gradual buildup and an unnecessarily protracted one. It is in this respect that McArthur’s work falters, as the narrative unfolds at a leisurely pace, impairing the overall flow and diluting the gripping nature of the plot.

The gradual development of the storyline does offer intermittent glimpses into the potential brilliance awaiting the audience. It is these glimpses that keep viewers engaged, clinging onto the hope that the long-awaited “good bit” will eventually materialize. Moments of brilliance emerge sporadically, teasing spectators with hints of what could have been had the pacing been better calibrated.

In defense of McArthur’s approach, it could be argued that the extended buildup serves a purpose, allowing the audience to immerse themselves fully in the world she has created. By meticulously crafting each scene and meticulously delving into the intricacies of the characters, McArthur aims to establish a strong foundation upon which the eventual climax can stand. However, such intentions may have inadvertently sacrificed the overall appeal of the show, leaving the audience longing for a more concise and impactful journey.

Nonetheless, it would be remiss not to acknowledge the commendable aspects of McArthur’s production. The attention to detail and the dedication poured into its creation are evident throughout, as the actors deliver captivating performances that remain captivating despite the sluggish pacing. It is a testament to their talent that they manage to maintain the audience’s interest amidst the prolonged build-up, injecting life into the characters and breathing authenticity into the narrative.

In conclusion, Isobel McArthur’s latest show possesses a captivating premise that holds immense potential. However, the slow-paced nature of the production impedes its ability to fully engage and enthrall the audience. While sporadic moments of brilliance offer glimmers of hope, the extended buildup ultimately dampens the overall impact of the performance. Despite noteworthy elements such as meticulous attention to detail and commendable acting, the excessive delay in reaching the climactic moments leaves viewers yearning for a more expedited and compelling experience.

David Baker

David Baker